大众摄影

三影堂:《无藏》——曾敏雄藏传文物摄影展 |

2019-10-25 GF

?

?

《无藏》——藏传文物摄影展

?

主办:三影堂厦门摄影艺术中心艺术家:曾敏雄

?

展览时间2019年10月26日-11月10日9:30-17:30(周一?#23637;藎?br /> 展览地点三影堂厦门摄影艺术中心(厦门市集美区杏林湾营运中心,2号楼301)

?

活动信息
艺术家签售活动
时间:11月1日? 9:30—11.30地点:厦门会展中心《海峡两岸文博会》三影堂展位

?

艺术家讲座《从肖像到佛像》与新书发布会?

时间:11月2日 15:00—17:30

地点:三影堂厦门摄影艺术中心

?

?

?

台湾摄影艺术家,曾敏雄,早在2017年就到访三影堂厦门摄影艺术中心,并于2018年集美·阿尔?#23637;?#38469;摄影季期间带台湾学生来观展,同期参与三影堂教育计划,开设《摄影家作场》摄影艺术工作坊。获得学员高度评价。
2019年,曾敏雄因缘际会结识了台湾大收藏家,大伏藏师江敏吉先生,并受其委?#20449;?#25668;藏传文物,?#37038;?#19975;件的文物中,选取一部分藏品开始了拍摄计划,历时一年,现已集结出版,取名《无藏》。这些摄影作品不是单纯的文物?#35745;?#33402;术家以他者的目光,重新建构了历史的影像观念,物的观念。赋予作品独特的肖像性格和艺术情感。如能让这些珍贵的藏品跟观众见面,让这种纽?#24471;?#26063;的文化情感得以交流,无论站在两岸关系,还是站在艺术交流角度,从任何意义上都是值得去做,去努力的。?#21490;?019年第十二届海峡两岸(厦门)文化产业博览交易会将于11月1-4日在厦门会展中心举行。三影堂厦门摄影艺术中心作为文博会集美区的分会场,举办《无藏---藏传文物摄影展》、艺术家讲座和珍藏版图书《无藏》发布会。

?

?

“无藏”一段无法?#36816;?#30340;因缘?文 /?曾敏雄?

?

时序是2019年3月13日,大伏藏师江敏吉先生慎重地穿起西装,打起了领带。步出家门的江大师坐?#21414;?#21475;摆上的一张椅子,面?#32536;?#26159;他极为不习惯的镜头。

?

在镜头后面的是正处于焦虑状态的我。对于《台湾头》这类严肃的肖像拍摄,在按下第一次的快门前,我永远处在极度焦虑的状态。

?

在这次拍摄之前,江大师只与我见过两次面。第三次见面时,我们就像老朋友般丢掉了繁文缛节,直接面对镜头。

?

准提佛母?Cundhi Bodhisattva

?晶 Crystal

?

缘起

?

在一位企业家的引介下,我第一次来到了位于苗栗头份的家,目的是一睹大伏藏师江敏吉先生珍藏的藏传文物。在江大师助理的解说下,面对如此珍贵数量又如此惊人的圣物,我非常好奇!我深深知道,这绝对不是仅靠财力就可以达成的事。?随着下楼梯的声音,迎面走来的是一位穿着一般家居服的长者,开口招呼,声音低沈有力,语调缓慢。双方坐定,简单自我介绍后,送上我拍摄的作品集《台湾头》。江大师翻阅后笑了笑说从里面看到好多老朋友,但一张照片引起了他的好奇,那是宗教界的精神领袖”印?#36710;际Α薄?#22823;师问起了我如?#25991;?#25293;摄?#25509;∷车际?#30340;过程,我回忆起当年:”连络上老和尚的助理,详细?#24471;?#26469;意后,可是连助理也不敢答应拍摄之事,但告诉我可以到现场。如果有缘,?#38469;?#23601;会答应拍照......我二话不说立即整理装备前往,但一时之间也不敢提拍照摄影之事,还好后来助理问我有没有什?#27425;?#39064;要请教?#38469;?#30340;?我看到书柜中有一?#38236;际?#30340;著作,书名是有关于”无”的论说,于是我拿出了这本书,请教了?#38469;?#20160;么是”无”? ?#38469;?#24403;时的回答?#20197;?#23601;忘记了,但是很神奇的是印?#36710;际?#23601;点头答应拍照之事。”听到此,江大师说了一句:?#38381;?#26159;缘份!”?

?

当江大师翻阅整本《台湾头?#20998;?#21518;,他告诉我:?#38381;?#29255;拍的极好,但这些照片透露出了摄影家当时的‘困’......”?

?

初出社会的我经营了一家音响工作室。1999 年921 大地震,将我的经济归零,但却意外与美术评论家谢里法教授合作,拍摄中部30?位艺术家肖像。完成之后又开始了《台湾头》的拍摄计划,自此开始南北奔波,为一位又一位曾在台湾近代史上各领域杰出的人物拍摄肖像。其实当时我的内心挫折感很重,希望能从这些人物的脸上寻?#39029;?#20182;们当年面对挫折时的勇气......换句话说,当大伏藏师江敏吉先生说到从《台湾头》的作品里,看到了摄影家的”困”时,我的内心彷佛被电了一下,眼泪差点夺眶而出。同时也好奇,不懂摄影的大伏藏师到底是从何处看出来”困”的呢?

?

为他拍一张肖像吧!这是我决定为大伏藏师江敏吉拍摄肖像的第一个念头!?

绿度母(局部) ?Green?Tara(Local)

水晶掐丝镶宝石?Crystal with Wire Inlay Gemstone

?

处处惊奇

?

第一次的拜访,就想拍摄一些大师的收藏品,面对这么多贵重的圣物,没想到江大师会爽快的答应。

?

江敏吉大师小时候的家境异常?#37327;唷?#22240;缘际会的江老师跟了一位密教师父经泰国尼泊尔辗转来到了西藏的阿里,在藏区12 年的苦心修练让他深刻了解藏传佛教的精妙,并习得藏医的精髓......年轻时的江大师曾想剃度为喇嘛,他的师父说喇嘛不是他的志业,他的志业是要聚雄财;日后有其他重要任务,或许这任务就是为了保存藏传文物而尽心尽力。?

?

所谓的大伏藏师,他们有项惊人的本领就是靠着?#26447;?#20901;想能将地下的,水中的甚至?#24039;?#37324;的宝物给?#39029;?#26469;。这样的本领当然需要有天赋?#25163;?#20197;及异于常人的修行运道,最令我感到好奇的是......是什么”缘份?#20445;?#35753;这么多的宝物进到江大师的收藏中。?这样的缘份也在我为这些佛像拍摄时出现。当?#20197;?屏幕上试着微调一下影像明暗的阶调时,”就在一?#24067;洌?#19968;尊菩萨对我微笑?了......”看到菩萨微笑,?#19994;?#26102;惊讶地立即放下手上的工具,拿起了手机拍下屏幕内的菩萨传给了伏藏师的助理。连他们也感到非常奇妙。

?

在接连的拍摄过程中,出现过多次无法以科学逻辑的方法解释的神奇现象,让原本铁齿的我也不得不相信自然界隐藏?#25293;?#31181;神秘未知的力量。

?

文成公主官帽?Official Hat of Princess Wen-Cheng

鎏金铜掐丝镶夜明珠?Gilt Copper with Wire Inlay Night Pearl

?

?

未知的缘份
为了拍摄这些宝物,我不断的调整拍摄方法,并添购了些专业的设备。尝试着 从“人性”去解构“神性”──换句话说就是?#36873;?#31070;像”当做”肖像”来拍, 让这些宝物脱离“目录”的刻板印象,赋予每件宝物独特的个性。?
为?#25293;?#23547;?#39029;?#26368;后的答案,我只有倾尽力气为这些宝物留下它们动人的身影,并希望藉由这样的拍摄,也能串起有缘人与这些藏传文物的缘份。
感谢在这缘份中牺牲奉献的所有人!

?

?财神?Black Jambhala

?雕?Carved Stone

关于艺术家

?

?

曾敏雄

嘉义人,亚洲大学视觉传达系研究所,1990年成立音响工作室,并曾担任电台古典音乐节目主持人; 1996年年底开始自学摄影;1999年921地震成为受灾户,因缘际会与美术评论家谢里法教授合作,开启肖像摄影生涯,先后独力完成”中部30位艺术家肖像”?#22868;?#20041; 20位美术家肖像””台湾头” “60位音乐家肖像””台东艺术家肖像”等等,其中”台湾头”系列作品除了是肖像摄影外,因其涵盖台湾近代各个领域发展中最为重要的一些人士 ,是台湾近代?#20998;?#19981;可或缺的人物资料。?“风景 安静””那里 这里”则是独立于肖像摄影之外的作品,并从2010年开始?#20004;瘢?#20197;”微光渐渐”为名,镜头长期纪录一?#22909;?#31461;其生活样貌与家庭关系,除此之外,?#20013;?#30340;关注庶民生活中有关台湾文化的影像纪录....这几个系列作品的拍摄时间少则数年,多则超过十年以上。?2001年获雕刻大师朱铭邀请,与其拍摄“太极拱门”等多本作品集; 2007年至美国新墨西哥州流浪,?#36153;?#22899;画家欧姬芙的足迹,回台后,由前辈摄影?#33402;?#29031;堂为其策划展览; 2015年,在一个字都不认识的情况下,独自在?#20998;?#28010;迹超过6000公里;2017年,为提升中部艺文欣赏,策划“台中说说”的艺文讲座, ?#20013;两瘛?2016年获得财团法人林宗毅博士文教基金会台湾年度文化奖。2018年受三影堂厦门摄影艺术中心的邀请,在集美一阿尔?#23637;?#38469;摄影季期间,主持个人工作坊。2019年因为殊胜的因缘,结识大伏藏师江敏吉,开展出与藏传文物的缘份。曾三次获得国家文艺基金会的审查补助创作与出版,并曾担任行政院全国公?#22530;?#23637;与全国大专摄影比赛以?#23736;?#20010;摄影比赛的评审。作品展出于国立历史博物馆,台北市立美术馆,静宜大学艺术中心,西伯利亚州立美术馆,日本Place M摄影艺廊,中国大理,平遥国际摄影节,以及国内的TIVAC,爵士等艺?#21462;?#20316;品受国立历史博物馆,台北市立美术馆,文化部艺术银行,台湾摄影文化中心,静宜大学艺术中心及国内外私?#35828;?#34255;。?曾于国立台湾师范大学与亚洲大学任教,目前专心于摄影教学与创作。

?

无藏——曾敏雄藏传文物摄影集

?

出版时间:2019年6月15日初版一刷

?

页数:228页

?

类型:精装

?

大小:28x28cm

?

语言:中文、英文、日文

?

Selfless Terma Treasures


Tibetan Cultural Relics Photography Exhibition

?

Artist:Miin-Shyong TsengOrganiser:Three Shadows Xiamen Photography Art CentreDuration:Oct. 26?–Nov. 10, 2019??9:30-17:30 (Close on Mondays)Venue:Three Shadows Xiamen Photography Art Centre (No. 301, Building 2, Xinglinwan Business Center, Jimei District, Xiamen)

?

?

“Selfless Terma Treasures”- The Unspeakable Links of Dependent Origination?

?

Text / Miin - Shyong Tseng?
On the date of March 13, 2019, the Great Terton (terma treasure revealer), Ming- Chi Chiang, wore his suit with tie discreetly. As the Great Terton stepped out and sat on a chair right in front of the door, he looked into the lens with an expression that suggested he was extremely uncomfortable.?
I was also right behind the lens in an extremely anxious state. For the type of solemn portrait photography involved in Face’s Talk, I would be in an extremely anxious state until after I pressed the shutter for the first shot.?
Before the photoshoot, the Great Terton Ming-Chi Chiang and I had only met twiceWhen we met for a third time, we cut through all the red tape, and directly, as if like old friends, started the portrait photo-shooting.?
The Origin?
Through the introduction of an entrepreneur, I went to the residence of the Great Terton Chiang Ming-Chi in Toufen, Miaoli, to see his terma treasure collection. The Great Terton’s assistant narrated me through the astonishing number of precious, sacred objects, and I was so curious as to who could own such a collection. I understood deep down in my heart that this is not something a person could achieve with only financial resources.?With the sound of footsteps coming down the stairs, an elderly gentleman appeared with a casual outfit, and walked towards me. Greeting me in his deep, and orotund voice in slow delivery. All parties sat down for a brief introduction, then I gave the Great Terton my photographic book, Face’s Talk. He went through the pages, smiling, and said that he saw many of his good friends in my book. A certain portrait inside the book caused him curiosity. It was a photo of the religious spiritual leader “Master Yin-Shun”. He asked me how I successfully took the photo of Master Yin-Shun. I recalled, “After I got in contact with the assistant of Master Yin-Shun, I explained to him my intentions. The assistant could not promise me about getting a photo-shoot on behalf of Master. He told me that I could go there and seek him out... If it was a fate, Master Yin-Shun would say, ‘yes’ to me for a portrait photo-shooting. After the phone call, I immediately packed up and got ready to go to the site. When I finally got to meet him and greeted him, I didn’t dare to mention the potential of getting a photo- shoot. His assistant asked me if there were any questions that I had for Master Yin- Shun. At that moment, I saw a book of the Master’s, and it was about the theory of “the void”. I took out the book and asked the Master, ‘What is the void?”. What the Master replied to me, I have no recollection, but it was magical enough that Master Yin-Shun nodded his head in approval for my photo-shoot. The Great Terton then said, “It was fate and destiny.”?
The Great Terton told me after he had went through the whole book of Face’s Talk. “ He said, The photos are extremely good, but these photos show how the photographer was “poisoned” during the time of shooting.”?
I had just graduated from college, and had an audio studio of my own. The 921 Earthquake in year 1999 shook my finances down to zero. But then, I accidentally had the opportunity to cooperate with the well-known art critic, Dr. Li Fa Hsieh, to take portraits of thirty artists residing in the middle of Taiwan. Since then, I started to travel from south to north, to take portraits of one outstanding figure after another in various fields of??Taiwan’s modern history. I was actually frustrated during that time, and I was hoping to seek and find the courage these figures had when they faced their frustration. In other words, when the Great Terton mentioned that he saw the photographer was “poisoned” in the works of Face’s Talk, my heart seemed to be electrocuted, and tears almost rushed out of my eyes. I was curious at the same time, why the Great Terton who didn’t know much of photography, could he see that I was “poisoned” at that time??
Take a portrait for him! This was the first thought that I had at the moment when I thought about the Great Terton Ming-Chi Chiang.?
Surprises Everywhere?
My intention was to take photos of previous sacred collections that were owned by the Great Terton on my first visit, and I didn’t know that he would say, ‘yes’ to me so readily.?Due to the extreme poverty in his childhood, the Great Terton was serendipity that he followed a master of Esoteric Buddhism travelling from Thailand, through Nepal, and finally arriving at Nagari in Tibet. He spent twelve painstaking years in Tibet making an effort to learn and practice Tibetan Buddhism, until he finally understood deeply about its subtleties, as well as the essence of Tibetan medicine. When he was younger, the Great Terton tried to shave his head and become a Lama. However; his master said becoming a Lama was not his destiny. His destiny, instead, is to make and collect a great fortune for another important purpose and a task for the future. Perhaps, the purpose is to try his best with all his heart and effort to keep and preserve Tibetan Terma Treasures.?
The so called Great Tertons, have an amazing talent to trace the terma treasure through their telepathic abilities and meditation, regardless if the items are underground, in the water, or hidden somewhere in the mountains. Such abilities nevertheless require talent and practice that are different from most ordinary people. What makes me the most curious is what kind of “fate” is it that brings great numbers of treasures into his collection. It’s already a big number if one collects hundreds or thousands of these treasures.?
This fate became apparent during the shooting of the Buddha statues. When?I was trying to adjust the tones of the pictures, and saw a Buddha smiling at me in one moment. When I saw the Buddha smiling, I was so surprised that I immediately put off all the things that I needed to do, and grabbed my phone to take a photo of it. I sent the picture of the smiling Buddha to the Great Terton’s assistant, who understands these treasures, feels amazed.?
There were a few magical phenomenon that occurred during the photo shooting, which could not be explained by any scientific logic. I was originally a nonbeliever, but now I have to believe there is some mysterious force hidden in the nature of these treasures.Unknown Fate?
I have to constantly adjust my own ways of photo shooting in order to shoot these treasures well, as well as purchasing more professional photography equipment. I tried to deconstruct“divinity” from “humanity”. In other words, taking the profile picture of these Buddha statues so the treasures can be detached from the stereotype of “catalogue”, and show each piece of treasure with its own unique “personality” that it contains.?
To seek the final answer, I can only give all my efforts to keep a photographic record, and keep these treasures seen in their most beautiful way. I look forward to linking more people in destiny to these Tibetan terma treasures through my photography.?
I appreciate all those who sacrifice and devote themselves in this special, destined fate.??Artist Introduction:Miin-Shyong Tseng
Tseng was born in Chiayi City, Taiwan.He graduated from the graduate school of Visual Communication & Design at Asia University.He founded an audio studio in 1990, and was formerly a classical music programme radio presenter.He started to learn photography at the end of 1996 by himself.In 1999, Tseng was a victim of the 921 Earthquake Disaster that struck Taiwan which influenced his journey into photography.Serendipity then brought him and art critic Dr.Li-Fa Hsieh together, which then began his career in portrait photography.He went on to complete several portrait series such as "30 Artist Portraits in the Central Taiwan", “20 Artist Portraits in Chiayi?#20445;癋ace’s Talk?#20445;?“60 Musician Portraits?#20445;琣nd “Artist Portrait in Taitung’, solely by himself.In addition, his series of works in “Face’s Talk” are not only of portrait photography, but also involve some of the most important people in different fields and industries, which has become indispensable data in the record of Taiwan's modern history.
Voice Inside and Here There are his works that are independent from portrait photography.Tseng has been photo-shooting a group of blind children, their families, and the relationships between them since 2010, in a collection known as “Tittle Light, Little More”.Aside from all the above mentioned topics, he continues to focus on the lives of common people with his lens to capture the culture of Taiwan.Some of these projects took several years to compile, whereas others have taken up to ten years or more.
Tseng was invited by Ju Ming, a master of wood-carving, in 2001 to shoot Ju's artworks such as Taichi Arch.In 2007, Teseng traveled by himself to New Mexico, in the U.S, to seek out the footprints of Georgia Totto O'Keeffe.After he returned to Taiwan, the well-known photographer Chao-Tang Chang planned a photo exhibition for Tseng.Tseng also traveled to Europe by himself in 2015 and wandered over 6,000 km on a photo-journey.Tseng has also been promoting the appreciation of art in the middle of Taiwan by planning and holding art seminars called “Talks in Taichung” since 2017.
In 2016, Tseng was awarded the "Taiwan Cultural Award" by the Dr.Lin Tsung-I Foundation.In 2018, Tseng was invited by “Three Shadows” in China to host a workshop during the Jimei X Arles International Photo Festival.In 2019, Tseng met the Great Terton, Ming-Chi Chiang, and due to this wondrous occasion he started his destined relationship with Tibetan cultural relics and hidden treasure.?He has been subsided three times for his works and publishing by the "National Culture and Arts Foundation".Tseng has also been a judge for the "National Civil Officers Art Exhibition", the "National College Photography Competition" as well as many other photography competitions.
Tseng's works have been exhibited in the National History Museum, Taipei Fine Arts Museum, Art Center in Jingyi University, Siberian State Museum of Art, Gallery Place M in Japan, Dali International Photography Exhibition in China, Pingyao International Photography Exhibition in China, and other galleries in Taiwan such as TIVAC and Jazz.
Tseng's works have been collected by the National History Museum, Taipei Fine Arts Museum, Ministry of Culture Art Bank, Art Center in Jingyi University, as well as other international, national and private collections.Tseng has taught at National Taiwan Normal University, and at Asia University.He is currently devoting his time and focus to teaching photography and creation.

?

?

asdjfaklsjfaslkf

评论(0条评论)
...

您还可以输入500/500

热门评论
查看更多

?#21448;?span class="en-title">MAGAZINE

108好汉官网
七星彩本期规律 湖南福彩中心在长沙的位置 天津时时彩开奖结果500 浙江十一选五开奖今天开奖结果查询 北京pk10大特计算方式 炉石卡包淘宝靠什么赚钱吗 进口小超市赚钱吗 福彩3D王牌分析电子书 宁夏十一选五任选三 好玩的手机棋牌游戏平台 财经新闻股票行情查询上证指数美的股份 最赚钱男演员 双色球143期开奖直播 体彩山西十一选五开奖 天天乐棋牌pc版下载 有什么o2o游戏可以赚钱